Welcome

Hello! and welcome to this site. Let me tell you a bit about myself. I live in Edinburgh,Scotland, and run a private piano teaching practice. Initially I trained as a class music teacher at Newton Park College of Education, which at the time was part of the University of Bristol education department. Later I specialised in piano teaching and for a number of years I taught class music lessons as well as giving individual piano tuition.

I have taught in all manner of schools, situated in the south of England,Brussels,and now Scotland. Although I specialised initially in secondary education my teaching experience has embraced all age groups ranging from three to seventy three! My school teaching posts have included several as head of department,as well as other senior positions.

Always searching for new ways of doing things from a more holistic and therefore alternative viewpoint I eventually trained as a Suzuki piano teacher. This nurturing, mother-tongue approach to learning an instrument works so naturally and organically that I now cannot imagine teaching the piano any other way. But I still like to include other repertoire as and when appropriate and my students often take higher graded practical examinations or at least follow the syllabus. Certainly I like to encourage the exploration of a wide range of styles.

I also enjoy composing and arranging and have recently written material for my students' use. These have been performed at my own gatherings and concerts as well in school on the students' own initiative. We have had a number of notable successes in the EPTA(European Piano Teachers' Association) young composers' competitions and recently I have started up a special group for those aspiring composers from amongst my students. During the summer months I organise a mixed age-range music activity club and teach at the Deeside Suzuki Piano Festival which is a highly popular event in the Scottish Suzuki piano calender and a very special experience.

Complimentary to my teaching I have qualified as an NLP( Neuro Linguistics Programming ) practitioner and as a life coach. I constantly find myself applying the skills I have gained in these areas to my teaching. I also love writing stories for children as well as educational articles on musical subjects. The object of this site is to make these and other materials I have produced available to parents, teachers and students. I hope you will find it helpful. Good wishes. Marie.

Sunday, October 21, 2007

Tips for Tip-Top Practice

LOTHIAN SUZUKI GROUP



The Suzuki Approach



Tips for Tip-Top Practice



How are you getting on? Here is a checklist, in order of priority. All of these points need to be maintained, but some of the most important ones can be overlooked.


  1. Listen to the CD everyday


Have it on in the background: meal times, school runs, during other quiet activities (failure to do this turns learning the pieces accurately into hard work and will result in the following: -


  • difficulty in memorising notes of new tunes

  • incorrect rhythm – a big giveaway!

  • forgetting repeats – another big giveaway!)


  1. Twinkles, Scales, Arpeggios and other technical studies


The Twinkles form the basis of the Suzuki method and have a bearing on every piece you will ever learn! Likewise, when ready, scales and arpeggios form the backbone of more advanced piano skills.


  1. Practise Everyday (But eat first!)


Dr. Suzuki said only practise on the days you eat! Put aside a special time each day to do your practice. Aim to keep a routine and stick to it, but don’t practice on an empty stomach!


  1. Practice: Supervised versus Unsupervised


The parent takes on an active role in home practice. The child should not be merely told to go off and do their own practice (in this case there is no point in following the Suzuki method – traditional piano lessons tend not to require a parent to take part in practice sessions). Ensure your child practises with a parent or both parents if they are involved in the lessons, otherwise meaningful practice will not occur. Keen practicers can also be encouraged to play by themselves, but not as a substitute for supervised sessions. Older children, teenagers for example, should be able to take more responsibility for themselves in this respect.


  1. Make notes during Lessons


Details covered with your Suzuki teacher in lessons can get easily overlooked during the week. Making notes to refer to ensures high quality practice. Again, teenagers can take on more responsibility here and make their own notes.


(PLEASE NOTE: parents are “off duty” from teaching in lessons. Giving instructions alongside the teacher to your child at these times only causes confusion and frustration. Making notes is the parent’s role at the lessons; points for discussion can be raised with the teacher, preferably at the end of the lesson).


  1. The 3 “S”s of Practice


Slowly, separately and in sections. Middles and endings of pieces often need more attention. Quality is more important then quantity. Bad habits, once learned, become very fluent bad habits!


  1. Bring Variety to your Practice


For younger children: use lucky dips, practice cards (menus), practice project sheets, games, charts, motivational stickers and intersperse practice with other activities; - make it lively and fun! Aim to practice everything daily: Twinkles, scales, new pieces, review pieces, sight-reading and aural, when appropriate.


  1. Two Ways to Practise


  1. Practise to learn: Stop and repeat until things are right (see the 3 “S”s of Practice). Always review old pieces; play together first then take apart and re-appraise.

  2. Only practise performing pieces you know well. (These pieces should also still be practised as review – see Step 1).


  1. Quit on a High


Always finish a practice session with something easy that you know well. Parents – always praise younger ones! Older pupils give yourselves a pat on the back!


Above all, enjoy your practice.


Good luck!



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